Grand Tarantelle

Louis Moreau Gottschalk

She/Her
b. 1957
b. 1957
b. 1961
b. 1961
He/Him b. 1979
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He/Him
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b. 1972
b. 1972
b. 1994
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She/Her
He/Him/His | b. 1983
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He/him | b. 1994
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She/Her | b. 1932
He/Him | b. 1979
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She/Her | b. 1997
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b. 1989
He/Him | b. 1978
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He/Him | b. 1983
He/Him | b. 1983
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He/Him | b. 1984
He/Him | b. 1984
He/Him | b. 1984
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He/Him | b. 1985
He/Him | b. 1985
He/Him | b. 1981
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
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He/Him | b. 1994
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He/Him | b. 1984
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She/Her | b. 1953
He/Him | b. 1980
She/Her | b. 1932
He/Him | b. 1998
He/Him/His | b. 1991
Grande Tarantelle, Op. 67, is a tarantella written by American composer Louis Moreau Gottschalk from 1858-64. Subtitled Célèbre Tarentelle, it was first performed at the Academy of Music in Philadelphia in 1864. The composer transcribed the piece for many different combinations, including solo piano, piano trio, violin and piano, and two violins and piano. In addition, the piece has been arranged by others for many other combinations, including a transcription by the composer’s friend Nicolás Ruiz Espadero for two pianos. Perhaps the most well-known version is the reconstruction of the piece for piano and orchestra by Hershy Kay, which was later used for a ballet by George Balanchine. More recently, Gottschalk’s original orchestration has been found and recorded.

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Length
7:30
instrumentation
Two 5.0-octave marimbas, Two 4.3-octave marimbas
level
Advanced
performance setting
Quartet
Crowd Pleaser
Encore Pieces
Percussion Ensemble
Collegiate
Technical Focus

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